After over 30 years of producing new play readings and doing developmental work on hundreds of scripts, I have unveiled what I believe is the stumbling block in the road to success for playwrights.
What are we calling a stage and what stages are we writing for?
I was very blessed to have as my mentor a set designer, Richard Thomas Pike, who taught me the secret to brilliant theatre. Don't expect me to share it; it's a secret, but it has to do with set design.
And of course it has something to do with Shakespeare. And Moliere. And Chekov. And Brecht.
Jaz Dorsey
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