Monday, May 30, 2011
The AAPEX Catalog
AAPEX is a Literary organization, not a theatrical one.
I would like to think that we will all have the joy of seeing our plays produced in our lifetimes. Posthumous fame isn't all it's cracked up to be.
However, I feel it is more important for me at this point to make sure that your scripts are read and studied.
The internet offers us amazing new options and opportunities for making out work available, so the next phase of our progress will be to research and develop an AAPEX catalogue.
Also, while we are on the subject, Alan Woods, Director of the Jerome Lawrence & Robert E. Lee theatre archives at Ohio State has established an AAPEX archive and everyone should consider getting your scripts into the archive. You can find a link to the site on the right.
This idea was first planted in my head by AAPEX founding member and our blog editor, Dave Copeland. If you have not visited the blog lately, check out the interviews with many of our members.
If any one would like to assist with this, please let me know. I could especially use input from any librarians among you.
Also, if you are not a member of the Dramatists Guild, please join.
Jaz
Sunday, November 16, 2008
Exciting News from Columbus!
The Lincoln was opened in November 1928 as the Ogden Theatre and Ballroom. It was built through a collaboration between local African-American real estate owner and entrepreneur Al Jackson, African-American fraternal organization the Grand United Order of Odd Fellows, and African-American construction company owner Carl Anderson. Jackson was determined to provide the community with a theatre which catered specifically to African-American patrons and performers, and engaged the fraternal organization to manage it and Carl Anderson to build it.
The name was changed to the Lincoln Theatre in 1938, and over the years, hosted jazz greats including Madame Rose Brown, Harry Edison, Tiny Bradshaw, Stomp Gordon, Hank Marr, and Rusty Bryant, along with legends such as Count Basie, Duke Ellington, Miles Davis, Etta James, James Brown, and Columbus native Nancy Wilson. One of the most notable pieces of history was the debut of a three-year-old Sammy Davis Jr., who ran on stage to dance at the Lincoln in his first recorded performance.
The Lincoln was abandoned in the early 1970s and sat empty for three decades. Now owned by the City of Columbus, the theatre is undergoing an $11,000,000 restoration, and is a major factor in the revitalizing of the King-Lincoln District, the center of the historically African-American neighborhood in Columbus. The theatre is home to the Jazz Arts Group, and houses concerts, classes, and many community events, including productions from the Columbus Childrens' Theatre. Hines will helm three productions at the Lincoln Theatre each year in the genres of musical theatre, dance and concert performance, all in collaboration with local African-American performance artists and groups in residence at the Lincoln. Also while in Columbus, Hines will hold a jazz/hip hop dance workshop for young people.
The Lincoln Theatre is managed by the Columbus Association for the Performing Arts (CAPA); for more information on the Lincoln and its history, visit http://www.capa.com/columbus/venues/lincoln_about.php
Wednesday, January 30, 2008
New permanent AAPEX Archives link to Ohio State University's Jerome Lawrence & Robert E. Lee Theatre Research Institute
Thursday, May 24, 2007
AAPEX Archive Established!
Greg Fusco and Beverly Brewton read from a script written during a playwrights' retreat at the Lawrence and Lee Institute, August, 2006.
An archive for AAPEX members is now available at the Jerome Lawrence and Robert E. Lee Theatre Research Institute of The Ohio State University. Members can deposit scripts, programs, correspondence, photos of productions, and so forth in the AAPEX Archive.
The AAPEX Archive exists, most importantly, to make sure the work survives and is protected. The Lawrence and Lee Institute also actively works, through classes, staged readings, and other means, to publicize the material in its collections. In so doing, it honors the lifework of its founders, the playwriting team of Jerome Lawrence and Robert E. Lee, who not only wrote such classic American plays as Inherit the Wind, The Night Thoreau Spent in Jail, and Auntie Mame, but who also encouraged young writers through their teaching, workshops, creation of the American Playwrights Theatre, and establishing the Margo Jones Award to honor others who encouraged the art and craft of playwriting.
There’s more about the Institute at http://library.osu.edu/sites/tri/
The Lawrence and Lee Institute houses many collections and archives of playwrights and other theatre artists; a representative listing is at http://library.osu.edu/sites/tri/collections/
Mevelyn Estes
at a reading for seniors by Howling at the Moon, a women's ensemble based at the Ohio State University
See also http://www.osureadings.blogspot.com/ for examples of staged readings
And http://theatreh101.blogspot.com/ for classroom uses of texts
For further information, contact the Institute's director, Alan Woods, at the following address/email:Alan Woods
The African-American Playwrights' Exchange Archives
The Jerome Lawrence and Robert E. Lee Theatre Research Institute
The Ohio State University
1400 Lincoln Tower
1800 Cannon Drive
Columbus, OH 43210-1230
614/292-6614 vox
614/688-8817 FAX
614/329-5689 cell
woods.1@osu.edu
